8 thoughts on “ Perpendicular - Various - Arctic Circles : A Selection Of Sub Zero Soundscapes (CD) ”

1. Originally released in mid as a limited edition cassette on Cosmic Winnetou, the album is now being given a full release on vinyl, CD and digital distribution by Supple 9. The tracks on Formic Syntax have a distinctly harder edge than recent releases by Ebauche and much of the album is pulsating with angular sonics and crisp, sharp.
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3. Equations are not derived, rather, assumptions behind equations and limitations on the applications of each equation are emphasized. Figures, tables, and illustrations related to the sub-topic are presented in an easy-to-use manner, and examples on the use of the equations, including appropriate figures and tables are also included.
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5. For the inauguration of its 19th(!) year of programming cutting-edge experimental music events in Chicago, Lampo is hosting a rare weeknight event Thursday, Sept. 24 at the Gene Siskel Film riochlorrentvicitingsymtcamirmararip.xyzinfo part of its Conversations at the Edge series, the Siskel will host Le Révélateur, the duo of video artist Sabrina Ratté and Godspeed! You Black Emperor/Fly Pan Am’s Roger Tellier-Craig.
6. Comparison of the inverse-square profile, the solid line, with CTD data (Cast 19B) from the MIZ, represented by the circles. Two special cases of Eq. () are the linear profile, c (z) ∝ (z + z s), obtained by setting z 1 proportional to c ∞ and letting c ∞ go to infinity, and the constant profile, which is returned when z 1 = 0.
7. Somebody or something broke g-HA on his latest edition of the Jaeger Mix. The Frædag / Jaeger / Sunkissed resident foregoes the minimal- and micro sounds that usually dominate his Friday night sets, as he delves into clattering world of the break with a mix that moves between electro, breakbeats, old school rave and garage through the course of the hour.
8. When we encounter the various forms of digital poetry, we see a representation of 4 / Introduction artist often seeks to expose, and sometimes subvert, the various binary op- positions that support our dominant ways of thinking about literature (and, perhaps, about communication in general).